Comparing Sexuality in Alls Well That Ends Well, Measure for Measure,

Female Sexuality in Alls Well That Ends Well, Measure for Measure, and Troilus and Cressida Although strict chronology is a fussatic proposition, most scholars turn over that the problem plays - Alls Well That Ends Well, Measure for Measure, and Troilus and Cressida - were composed in the period in the midst of Hamlet and Othello (Mabillard), a period in which Shakespeare was focusing his energies on his colossal tragedies. This fact, some believe, may help to account for the darker mood of these ostensible comedies. In fact, Boas, the critic who coined the term problem play, originally included Hamlet in this grouping, since he found a similarity of theme and irresolution surrounded by that play and Troilus and Cressida (Thomas 2-3). Thankfully for modern students, critics have escaped that preconception and recognize Hamlet as a tragedy, plain and simple. Any generalization of these trine plays - even a necessarily broad category like problem plays - is inherently . . . well, problematic. The three plays are very dissimilar in tone, plot, and characterization. It is possible, however, to position a few key commonalities between the three plays, and, more generally, in the cycle of work that includes Hamlet and Othello. The sheer carnality of each of these plays is trying to ignore. Taken as a whole, whether or not one accepts the introductory chronology, these plays represent the evolution of a coherent view of female sexual practice that contributes not only to the dramatic action of each play, but to a larger underlying thematic concern. Thus book-ended by two wide tragedies, with which they share some common ideology, the problem plays offer an unparalleled luck to explore the concept of female sexualit... ...speare Online. 1999-2001. <http//www.shakespeare-online.com/keydates/playchron.asp>. Neely, Carol Thomas. Shakespeares Women Historical Facts and Dramatic Representations. In Holland, Norman N., Sidney Homan, and Bernard J. Paris , eds. Shakespeares Personality. Berkeley University of California Press, 1989. Shakespeare, William. Alls Well That Ends Well. Bevington 362-403. ---. Hamlet, Prince of Denmark. Bevington 1060-1116. ---. Measure for Measure. Bevington 404-443. ---. Othello, the Moor of Venice. Bevington 1117-1166. ---. Troilus and Cressida. Bevington 444-493. Thomas, Vivian. The Moral macrocosm of Shakespeares Problem Plays. capital of the United Kingdom Croom Helm, 1987. Wilders, John. The Problem Comedies. In Wells, Stanley, ed. Shakespeare Select Bibliographical Guides. London Oxford UP, 1973.